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  <url>
    <loc>https://seanmcginleysounddesign.com/design</loc>
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    <priority>0.75</priority>
    <lastmod>2022-05-26</lastmod>
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      <image:title>Design - Make it stand out</image:title>
      <image:caption>Director: Jeffery Binder; Set: David Arsenault; Props: Elena Romero; Costume: Jennifer Bronsted; Sound: Sean McGinley; Lights: Dalton Hamilton;</image:caption>
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      <image:title>Design - Make it stand out</image:title>
      <image:caption>Director: Tricia Hobbs; Set: Tricia Hobbs; Props: Meredith Perry; Costume: Brittany Staudacher; Sound: Sean McGinley; Lights: Scout Hough;</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/621532e038b2de13f134a230/4af9cf58-deb9-4d65-afa4-017998499a59/HMCECLuncheon2021-0945.jpg</image:loc>
      <image:title>Design - Make it stand out</image:title>
      <image:caption>Victor Caroli performing as Abe Price Written By Jeffery Binder Directed by Steven Calakos Photo By Matthew Schipper</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/621532e038b2de13f134a230/5c0d1a76-f415-495c-b0f9-1a6062bc6c63/Matilda.jpg</image:loc>
      <image:title>Design - Make it stand out</image:title>
      <image:caption>Director/Choreographer: Jeff Payton, Matthew Shaffer; Music: Phil Burns; Set: Chez Cherry; Props: Ben Wetzel, Belinda Hobbs; Costume: Kevin Koski; Sound: Sean McGinley; Lights: Scout Hough;</image:caption>
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  <url>
    <loc>https://seanmcginleysounddesign.com/engineer</loc>
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    <priority>0.75</priority>
    <lastmod>2022-03-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/621532e038b2de13f134a230/ca8a5080-a3e8-4261-af6d-47da53e04bd4/sound+of+music.png</image:loc>
      <image:title>Engineer - Dual Mixers</image:title>
      <image:caption>The Sound of Music- Theatre Workshop of Nantucket, Directed by Justin Cerne For this production I had to link two analog mixers together to control all of the mics needed for this production. I also had to use dual mixers for Penobscot Theatre’s production of Matilda linking a Behringer X32 to a Midas M32 to achieve the number of inputs needed for the full cast and pit.</image:caption>
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    <image:image>
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      <image:title>Engineer</image:title>
      <image:caption>Palace Theatre, Waterbury Connecticut</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/621532e038b2de13f134a230/3ffb3084-b22e-4fad-b89f-64bc3e72d30c/outdoor.jpg</image:loc>
      <image:title>Engineer - Ground Breaking Event- Gulfshore Playhouse</image:title>
      <image:caption>This event was a new challenge for me as it was outside on a busy street. I was able to deliver a perfect sounding show to everyone at the event without going over the noise regulations of the city, but still blocking out the street noise in the background.</image:caption>
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  <url>
    <loc>https://seanmcginleysounddesign.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-23</lastmod>
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      <image:title>Contact - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seanmcginleysounddesign.com/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2022-03-27</lastmod>
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      <image:title>Home - About me</image:title>
      <image:caption>I have loved sound and theatre for as long as I can remember. I started doing theatre when I was 8 and continued to perform until I finished college. I fell in love with sound when I was 13. I used to sit behind the mixer at my church and control the mics and I loved every second of it. I attended York College of Pennsylvania where I studied Music Industry and Recording Technology. After college, I attempted to work in the audio industry with little success and walked away from the field for a brief time. I jumped back into theatre in 2017 at Theatre Workshop of Nantucket, TWN. I was able to get back into sound there, where I mixed their production of Mama Mia. I was also able to discover the world of sound design at TWN. I slowly started to find my passion in the art of sound design. I have loved designing sounds for anything I can, from plays, podcasts, musicals and major events. I love the realism of sound design and the way it can pull a whole audience into the same world. The best sound designs are the ones that goes totally unnoticed but still gets stuck in your head. I enjoy the art behind building the perfect soundscape during a scene so we can feel the weather in our bones. I feel my best gift in the world of sound design is finding the perfect song for every moment. I try to find a song that perfectly accents a moment no matter how big or small it seems. Sound design has quickly become my passion and my joy. To date I have had the honor of designing over 20 plays and 25 musicals. When the pandemic happened, like most of our industry, I found myself with more free time than I would have enjoyed. I decided that I would assign myself shows to design and that brought me a lot of peace and joy during a time of stress and unknown. I love bringing a story to life by adding the perfect music and effects to a scene.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/621532e038b2de13f134a230/199e207d-97df-4cdf-90dc-faae4baaaf67/IMG_3915.jpg</image:loc>
      <image:title>Home</image:title>
      <image:caption>Photo by Matthew Schipper</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/621532e038b2de13f134a230/a3e8b31a-62cc-464e-8b02-2dec32d7fbd2/IMG_3941.jpg</image:loc>
      <image:title>Home</image:title>
      <image:caption>Photo by Elizabeth Kennel</image:caption>
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